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One Flea Spare, by Naomi Wallace, Naomi Wallace
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"I sat in a theater at the Humana Festival last year, after the closing monologue of ONE FLEA SPARE, unable to move. I had known Naomi Wallace's work well, having directed an earlier play, and I knew she had tremendous talent and promise to do great things. Nothing had prepared me - not my admiration for her plays and for her beautiful, harsh, moving, brilliantly political poetry - for the experience of watching this play, which is in my opinion one of the finest works of dramatic literature written here or in England in the last two decades. Utterly without sentiment but possessed of a very great human heart, ONE FLEA SPARE touches upon many things, class and gender and the pressures of a plague upon internal and external human constructs; and, as I read it, most devastatingly it addresses a tragedy of almost inexpressible dimensions: the consequences of the horrors of biology and Capital on the young. As the play draws to its shattering close I was filled with thoughts of the children of Sarajevo and Rwanda and the slums of America. 'Almost' inexpressible except in the hands of a true poet, and Naomi Wallace so magnificently proves herself to be. Her ability to articulate the inarticulable, grief and loss and suffering beyond endurance, is a source of hope; as is the resilience and passion of the marvelous characters she's assembled. Everyone who loves the theater should read this play. It has made me INTENSELY envious and very full of joy." -Tony Kushner "Naomi Wallace sharply tightens her focus in this latest, thrillingly original work, set for the most part in a virtually bare London room during the Great Plague." -Jeremy Kingston, The Times (London) "Poetic ... Naomi Wallace's ONE FLEA SPARE is another example of fine, ambitious writing ... The London plague is evoked in statistics and the overwhelming reality of quirky, Marivaux-like social role reversals in a single room." -Michael Coveney, The Observer (London) "Naomi Wallace makes an opaque but artful and haunting New York debut with her ONE FLEA SPARE ... ONE FLEA SPARE is built to provoke, not to distract, and it doesn't surrender its meanings easily. But the play's powerful sexual subtext and its beautiful poetic surface reveal an original theatrical imagination. Whether Wallace will find a big audience remains to be seen. She has a big talent, though. Wherever her plays are mounted, they're worth finding." -John Lahr, The New Yorker
- Sales Rank: #735330 in Books
- Brand: Brand: Broadway Play Pub
- Published on: 1997-09-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .16" w x 5.51" l, .22 pounds
- Binding: Paperback
- 72 pages
- Used Book in Good Condition
Review
I sat in a theater at the Humana Festival last year, after the closing monologue of ONE FLEA SPARE, unable to move. I had known Naomi Wallace's work well, having directed an earlier play, and I knew she had tremendous talent and promised to great things. Nothing had prepared me--not my admiration for her plays and for her beautiful, harsh, moving, brilliantly political poetry--for the experience of watching this play, which is in my opinion one of the finest works of dramatic literature written here or in England in the last two decades. Utterly without sentiment but possessed of a very great human heart, ONE FLEA SPARE touches upon many things, class and gender and the pressures of a plague upon internal and external human constructs; and, as I read it, most devastatingly it addresses a tragedy of almost inexpressible dimensions: the consequences of the horrors of biology and Capital on the young. As the play draws to its shattering close I was filled with thoughts of the children of Sarajevo and Rwanda and the slums of America. `Almost' inexpressible except in the hands of a true poet, and Naomi Wallace so magnificently proves herself to be. Her ability to articulate the inarticulable, grief and loss and suffering beyond endurance, is a source of hope; as is the resilience and passion of the marvelous characters she's assembled. Everyone who loves the theater should read this play. It has made me INTENSELY envious and very full of joy. --Tony Kushner
Naomi Wallace sharply tightens her focus in this latest, thrillingly original work, set for the most part in a virtually bare London room during the Great Plague. --Jeremy Kingston, The Times (London)
Poetic...Naomi Wallace's ONE FLEA SPARE is another example of fine, ambitious writing.... The London plague is evoked in statistics and the overwhelming reality of quirky, Marivaux-like social role reversals in a single room. --Michael Coveney, The Observer (London)
Naomi Wallace sharply tightens her focus in this latest, thrillingly original work, set for the most part in a virtually bare London room during the Great Plague. --Jeremy Kingston, The Times (London)
Poetic...Naomi Wallace's ONE FLEA SPARE is another example of fine, ambitious writing.... The London plague is evoked in statistics and the overwhelming reality of quirky, Marivaux-like social role reversals in a single room. --Michael Coveney, The Observer (London)
About the Author
Naomi Wallace is from Kentucky. She was a 1999 recipient of the prestigious MacArthur Fellowship, the grant popularly known as the genius award. A published poet in both England and The United States, she has also received grants from The Kentucky Foundation for Women and The Kentucky Arts Council and a 1997 NEA grant for poetry.
Most helpful customer reviews
2 of 2 people found the following review helpful.
haunting & beautiful
By A Customer
Wallace's One Flea Spare is nearly unbearably beautiful in its precise language and poetic images, such as a woman who has not been touched by her husband in years speaking of a horse burning in a stable fire. The characters are all stuck in both a real and a metaphorical prison (people did get locked into their houses in plague ridden England)and can not escape each other. The class system is suddenly kicked aside when all the characters find they must depend on one another for their very survival. It speaks politically but the voice is never pedantic, as the honesty of the narrator, a witty and relentlessly observant young girl strips the pretenses and defences of the the adults around her in ways that are startingly funny.
The drama and suspense is fired up by the situation and by the building sexual tensions and confronations. Politics, voyeurism, poetry. It's all here. A brilliant work.
9 of 11 people found the following review helpful.
A Real Erotic Gem
By A Customer
This startling and fresh drama actually takes place in 1665, and concerns two upper class Londoners who get locked into a house with a sailor and a mysterious little girl. Because a servant died of plague in the house, the house has been boarded up for thirty days. Therefore, the four occupants must spend this time together in confines too close for comfort. What transpires in this at times hilarious black comedy is a disturbing clash of classes, and an exploration of gender roles and the body.
What is especially striking in the play is the erotic and strange love story between the sailor, Bunce, and the much older Darcy. Darcy's body has been badly burned from a childhood accident. In one scene of searing erotic intensity, Bunce touches her body in different places to see where she has feeling left. In another scene, Darcy puts her finger into a wound in Bunce's side. These are the sort of disturbing and erotic gender-bending scenes for which Wallace is known. This play will not disappoint!
0 of 0 people found the following review helpful.
An island is self delusion.
By Maaasatdom.
Outstanding, one of the best pieces I have read in years. Wallace has an amazing ability to create such a sparse, detailed and controlling environment.
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